The Spicy Details a la Colette

From Paris to Menton: filling the blank page with impressions of Colette's France

Posted by mashaparis on August 3, 2009

Interesting article in the NYTimes today about the way that many tourists do not engage with the art in the Louvre, but instead photograph it presumably to process it later:

http://www.nytimes.com/2009/08/03/arts/design/03abroad.html

This phenomena is hard not to notice — I have included a photo I took in the Louvre that was attempting to convey this. I think that something that adds to this tendency to click a photo and move on is that b/c of the sheer number of sights and museums to see here in Paris — many choose to save money by purchasing a “museum pass”  which allows for as many sights as you can fit into 4 days (or if time allows, 6 days.)  So this also feeds the frenzy to rush to the major attractions, take a picture and move quickly on to the next.

The Mona Lisa by Leonardo Da Vinci   - check!

The Mona Lisa by Leonardo Da Vinci - check!

And then there are the crowds… I remember seeing the Mona Lisa for the first time when I was 10 years old.  She was not behind bullet proof glass back then and my memory does not recall the masses of people that surround her now. As a child I was, like so many others, totally fascinated with her.  I remember passing back and forth in front of her, moving around the room trying to trick her ever watchful eyes. for years after I kept a postcard of the Mona Lisa on my bureau, and the fascination didn’t fade.  Back in Paris, I was eager to see her again “in person” – but she is quite the celebrity.  I could have elbowed my way up to her, but taking time to contemplate would be a near impossibility.

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